Something to Believe
"In a cluttered world that seems to thrive on excess, self-promotion, and personal and political agendas, listening to Freebo and his new album is like riding on a cumulus cloud of peaceful awareness. Freebo’s songs are at once uplifting while also serving as mini socio-economic/political history lessons interspersed with beautiful melodic love songs in his own cosmic blend of folk/country/rock/soul ear-pleasing genre-defying music”.
—Walt Falconer, CoolAlbumOfTheDay.com
Listen FREE - But I'd appreciate your suppport!
Before the Separation
"Before the Separation flows with a compassionate spirit rooted in '60s ideals, but packing a gently urgent relevancy."
—Nick Cristiano, The Philadelphia Inquirer
"Before the Seperation" is very soulful, introspective, heartfelt, and thoughtful.
—Bill Thames, Shake Magazine
What the CD reveals is a very good songwriter at work, with thoughtful, articulate lyrics and original melodies, beautifully arranged.
—Arthur Elliot, Sidestream Radio, Brisbane, Australia
Review Paul Zollo
Something to Believe
Freebo is more than a beloved musician, he’s an institution. Most famous for the funkified precision and fluid soul of his bass playing for Bonnie Raitt, he’s also a longtime beloved studio cat, a musician’s musician, sought out for his greatness in the studio by everyone from Ringo and Dr. John to CSN, Aaron Neville, Marie Muldaur and the late great Willie DeVille.
But Freebo is more than one of this town’s best players, as those in the know have known for a long time: he’s also a richly gifted and distinctive songwriter. Like other famous musicians most often linked in the public’s mind with artists they’ve supported onstage and on recordsers, his own voice as a singer-songwriter hasn’t received the attention it’s been due. But the guy is a seriously good writer, as expressive in his writing as on a bass.
If anyone has written a more poignant song about homelessness than “Where There’s No Place Like Home,” I haven’t heard it yet, but I hope someone tries. Because it’s aiming high, to write a song about a subject so hopeless without being hopelessly maudlin or cliché, so most songwriters don’t even try. Freebo does it with easy grace, as simple and right as the beautifully understated arrangement.